The Chinese University of Hong Kong Department of History Department of History
Contact Us

HIST5514A 公眾歷史特別專題(博物館研究):
博物館學:文化、詮釋與知識傳播

Semester 2 (2020-2021)

Lecture TimeWednesday, 6:30pm-8:15pm

LanguageCantonese

Lecturer TING Sun Pao Joseph (jspting@cuhk.edu.hk)

Teaching Assistant LO Shuk Ying ((852) 3943 7120 / sylo@cuhk.edu.hk)

Course Description

本課程研究博物館的源流與發展、中國與香港博物館的歷史、博物館的理論、角色、功能及工作。課程也討論博物館本質的改變與發展,及其所面對的挑戰與機遇。此外,課程亦會探討歷史博物館及歷史詮釋問題。

Syllabus
  1. 博物館的定義、起源與發展
  2. 中港兩地博物館事業的起源與發展
  3. 博物館常設展的構思與籌劃
  4. 博物館專題展覽的構思與籌劃
  5. 籌劃大型展覽經驗分享
  6. 文物的研究與詮釋
  7. 歷史博物館的歷史詮釋I
  8. 歷史博物館的歷史詮釋II
  9. 博物館的宣傳與教育
  10. 博物館的藏品管理
  11. 當前博物館的發展
  12. 博物館的管治模式
  13. 現代博物館的機遇與挑戰

部分課堂會邀請博物館行內專業人士主講,為遷就他/她們的時間,部分課堂的具體日期可能會有所調整,請留意有關宣佈。

Assessment & Assignments

課業要求

  1. 學生必需出席所有課堂。
  2. 本課程安排兩次田野考察(本地及境外),視乎疫情發展,或有機會取消。
  3. 本課程安排一次導修,由助教講授歷史論文的寫作方法,學生必須出席。
  4. 在境外田野考察後,學生需撰寫一份約二千至五千字的報告。
  5. 學期論文題目稍後會分派給同學,學期論文字數約為五千。論文以中、英文撰寫均可,但必須嚴格遵守有關撰寫學術論文的格式及規例。

 

評核標準

出席率及課堂表現 10%
導修 10%
田野考察報告一份 30%
學期論文 50%
總分 100%
References
  • Crooke, Elizabeth. Museums and Community: Ideas, Issue and Challenges. London; New York: Routledge, 2007. (UL Reserve AM7 .C76 2007)  
  • Gurian, Elaine Heumann. Civilizing the museum: the collected writings of Elaine Heumann Gurian. London; New York: Routledge, 2006.  (UL Reserve AM7 .G87 2006)  
  • Hein, George E. Learning in the museum.London; New York: Routledge, 1998. (UL Reserve AM7 .H44 1998)
  • Kavanagh, Gaynor, ed. Museum provision and professionalism.London; New York: Routledge, 1994, chap. 1, 3, 5, 8 and 14. (UL Reserve AM5 .M926 1994)
  • Kavanagh, Gaynor, ed. The Museums profession: internal and external relations. Leicester [England]; New York: Leicester University Press, 1991. (UL Reserve AM5 .M934 1991 )
  • Moore, Kevin. Management in Museums. London & New Brunswick, NJ: The Athlone Press, 1994. (UL Reserve AM121 .M36 1999 )
  • Thompson, John M.A., ed. Manual of curatorship: a guide to museum practice. 2nd ed. Oxford; Boston: Butterworth-Heinemann, 1992, chap. 4-13, 49-50, 56-58, 61-68 and Appendix. (UL Reserve AM151 .M32 1992)
  • Vergo, Peter, ed. The New Museology. London: Reaktion Books, 1989, chap. 1, 4 and 8. (UL Reserve AM7 .N48 1989 )
  • 林雪虹:《文博新潮:藝術博物館教育》,香港:香港大學美術博物館,2007。(UL HK Studies / NA /CC General Education N410 .L56 2007)
Honesty in Academic Work

Attention is drawn to University policy and regulations on honesty in academic work, and to the disciplinary guidelines and procedures applicable to breaches of such policy and regulations. Details may be found at http://www.cuhk.edu.hk/policy/academichonesty/.

With each assignment, students will be required to submit a signed declaration that they are aware of these policies, regulations, guidelines and procedures.

  • In the case of group projects, all members of the group should be asked to sign the declaration, each of whom is responsible and liable to disciplinary actions, irrespective of whether he/she has signed the declaration and whether he/she has contributed, directly or indirectly, to the problematic contents.
  • For assignments in the form of a computer-generated document that is principally text-based and submitted via VeriGuide, the statement, in the form of a receipt, will be issued by the system upon students’ uploading of the soft copy of the assignment.

Assignments without the properly signed declaration will not be graded by teachers.

Only the final version of the assignment should be submitted via VeriGuide.

The submission of a piece of work, or a part of a piece of work, for more than one purpose (e.g. to satisfy the requirements in two different courses) without declaration to this effect shall be regarded as having committed undeclared multiple submissions. It is common and acceptable to reuse a turn of phrase or a sentence or two from one’s own work; but wholesale reuse is problematic. In any case, agreement from the course teacher(s) concerned should be obtained prior to the submission of the piece of work.

Back to top